This website showcases my work as a visual artist. My work is centred around the themes of science, spirituality, the Irish landscape that I grew up with , personal narrative, family life, the human body, the deep feminine, and James Joyce's Ulysses.
The works are presented in themed galleries, by date in reverse order, starting with new work and going back to the early 1990s. The galleries are named as follows;
Ulysses and the deep feminine, Embodiment, Landscapes from the History House, Further Down the Line, Down the Line, The Sewing Room, Veils and Scientific Prayer.
I am fascinated with James Joyce's Ulysses, and its focus on the body and the female voice. It has become a very rich resource for understanding my journey through nature and art.VISIT GALLERY
Embodiment is an exploration of cyclical themes around family life. It's a study in charcoal with an emphasis on energetic dynamism and mark-making from observing movement.VISIT GALLERY
The Landscapes from the History House series of work was inspired by The History House, a book of poetry by Kieran Furey, which embraces the childhood landscape that inspired me and also raises forgotten questions about the Great Irish Famine.
This work continues the exploration of the journey taken in Down the Line. It concentrates more on the paradox of our role as 'Destroyer and Preserver' of the archaeology of the Irish boglands and formal aspects of its flora's colours and textures.
In the West of Ireland where I grew up, stretches of tarmac road through the unspoilt boglands were referred to as 'The Line'. I went back to the 'Line' that I had travelled in my childhood and used its meanings, metaphors, memories, journeys and its quiet beauty.
This work in this collection questions the role of women and painting within the history of fine art practice. Inspired by the unwritten and unacknowledged histories of women whose stories lie hidden behind the great paintings of the past.
We view history through particular windows of fact – some of which are clearer and more distinct and others less informed. They can be romanticised, like a dust of snow can change a landscape, or thin veils of fabric can be so seductive.
This work was developed following a visit to Moscow in 1992. At the time the Human Genome Project was progressing in the West and a new and liberated Russia was rediscovering its religious heritage and opening its doors to worship.
News and a creative diary of current projects and previous exhibitions.
In summer 2019 I was fortunate to spend a week working alongside other artists. in temporary studios at the Towner in Eastbourne, where I created a new series of paintings - Bronze by Gold - based on Episode 11 of Ulysses.
Winter Bloom, Coastal Currents , London Irish Centre exhibition, Longford exhibition, Further Down the Line exhibitions
Lucy Brennan-Shiel is an Irish artist living in Hastings on the south coast of England. She studied for her BA in Fine Art at Wolverhampton University where she received funding to visit Moscow. She was awarded a bursary from the London Institute for her MA studies at Camberwell College of Art and completed her MA in 1995, with a Distinction in Printmaking.
Lucy has been a studio based artist since 1995. She was artist-in-residence in East London, at St John on Bethnal Green from 2000 until 2005 and at St Paul's Bow Common Lane in 2008 and 2009. She is currently based in her studio in Hastings.
Her work is centred around the themes of science, spirituality, the Irish landscape that she grew up with, personal narrative, family life, the human body, the deep feminine and recently, James Joyce's Ulysses. She uses drawing, paint, printmaking, paper, fabric and sewn elements in creating her art.
Lucy continues to develop her artistic practice exploring the creative space between Ireland and England from both personal and more universal perspectives.
Lucy is also engaged in various art projects and educational activities working with both adults and children.
Click / right-click to open / download Lucy's current CV as a PDF